CUMULUS conference ~ June 2005
Lisbon City Bytes - The Urban Script workshop by Erik Adigard & Max Bruinsma


Each city, and especially age-old towns like Lisbon, has its own characteristic 'script'. Its streets and alleys are like the lines of a hand, like a fingerprint. And at the same time these lines are the lines along which the city is 'written'. Each quarter, each neighborhood has its own handwriting, its own visual style in which it is expressed and expresses itself. Bairo Alto has a different script than Baixa. From old calligraphy to today's graffiti, from azuleija's to sprayed tags, small images and words characterize each neighborhood, each block, each street.

We propose to walk these streets to read and study the scripts we find on the way. To sample and collect them, and analyze them in order to see what we can say about their messages.

Ideally, this would give us the raw material for defining the visual identity of (small) parts of the town, of streets and blocks or sub-divisions of quarters. We would have, so to speak, the bytes in which we could write a new script for the localities we have been studying.
That's what we'll do: make new tags for the city, based on the old ones, on the existing visual signs we have found. Whether as a means of identifying parts of the city on street signage, or as identification along a locality's confines, or as a markers on street corners or on houses, or just as a mysterious script for passers-by to decipher… What we are going to see is if we can find an argued visual language based on, not merely abstract theories of information design, but on our own living experience of a city's expressions.



THE WORKSHOP is an exercise in:
open source design + free-form visual language + poetic communications
IT IS NOT an exercise in illegal posting

PROGRAM

days 1 & 2 - OBSERVATION: go out & SEE (the CITY is network, publishing & dialog)

days 3 & 4 - ANALYSIS: how do you relate? (intuition vs. intelligence)

days 5 & 6 - ENGAGE:
express your views on the current state of world affairs.

DESIGNS may be politically or culturally inspired. They may be typographical as well as iconographical. They may be poetic, abstract or discursive. They may be:
_ a persona of significance (thought leader, role model, hero, savior, etc.)
_ a poetic expression (image of hope, enlightenment, beauty, clarity, etc.)
_ an opinion (statement for a cause)

Designs may be rough and spontaneous. The agenda is open ended, however we are especially interested in design observations that relate to historical heritage (logos, tags or tile design), media contexts (screen interfaces or stickers & flyers) and graphical languages (pixel graphics & graffiti or propaganda & protest graphics).

FORMATS:
1> 10x10cm tile - 142x142 pixels JPEG
2> 21x29.7cm poster - PDF file

File naming: lastname_firstinitial_countryinitials_year.extension

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RELATED LINKS:
IADE Cumulus photos

Lisbon graffiti and tags

Wooster Collective

Catalysts! Engage, an exhibit by Erik Adigard for ExperimentaDesign 2005